Websites designed around what you sell and built by hand, and the launch films that go with them, in the same type and colours.
Taking new work · Bengaluru, working worldwide
I’ve designed and built more than forty sites: contractors, salons, restaurants, nonprofits, online stores and product launches. Most were replacing something that looked perfectly fine to the owner and was quietly losing enquiries every week. Alongside the sites I make launch films and reels, designed in the same type and colours, so the film and the site read as one brand.
The pattern is nearly always the same. The old site says what the business is, but never what it costs, how long it takes, or what happens after you call. So that is where I start: with the questions a customer actually has. The answers become the structure of the page rather than a paragraph buried halfway down it.
It also means no two of these look alike. A contractor and a pet bakery need opposite things from a website, and the four builds below were designed from scratch for the businesses they belong to.
Start a projectEach one shown in its own client’s colours, with the one detail that sold it. Every capture is the real, running site.
A Dallas laser and skin clinic whose difference is what it refuses to do: no packages, no contracts, no sales pitch. That promise gets its own section rather than a footnote, and the three laser systems (GentleLase, GentleYag and Harmony) are named up front, so someone comparing clinics knows what will be used on their skin before they call.
View project(opens in a new tab)
A Koramangala bakery making birthday cakes for dogs and cats, sold the way a cake shop sells them: sixteen categories, and every cake card carries its starting price, sizes, flavours and rating, so a pet parent can choose without messaging first. Same-day designs come first for the last-minute birthday, and order tracking sits in the header.
View project(opens in a new tab)
A single-product shop for a cold-pressed botanical hair oil. With one 30ml bottle to sell, the page works through what a buyer asks before paying: what is in it, what each oil does, how long results take. The buy box sets the $39 price beside free shipping, the 30-day money-back terms and small-batch production.
View project(opens in a new tab)
A trust-first contractor site that makes an expensive decision legible: itemised bills of quantities, milestone payments tied to completed work, a visible build sequence and detailed project evidence. The cost estimator shows the six stage payments before anyone asks, and the primary action books a site visit rather than requesting a brochure.
View project(opens in a new tab)These are four of 19. The rest are live too.
See all 19 buildsA one-person studio: no agency overhead, no account manager relaying messages, no three-week discovery phase. You bring the business and what it actually sells; I bring the design, the build and the motion, from the first layout to the launch film.
Me, start to finish. There is no account manager relaying messages, no junior picking it up halfway, and no handover at the end.
Most sites run start to finish inside a week, and you get a live link early to watch it change. A film starts as a still of every scene, signed off before anything moves.
The design files, the repository, the domain and, for films, the masters in every format, from day one. Nothing is locked to a page builder or a theme licence, so a retainer, where a build is complex enough to need one, buys work you want done, never permission to keep your own site switched on.
Design starts with what your customer needs to see first; type, layout and colour are built around that. I design in the browser rather than in Figma, so what you approve is the thing that ships: real type sizes, real screens, real motion.
Talk about designHand-written TypeScript and React. No page builder, no purchased theme, no plugin stack to maintain. The markup stays semantic, the performance score is not an accident, and the repository can be handed to anyone later without an explanation.
Talk about a buildI model in Blender and ship the result running in the browser: glTF through Three.js, lit and materialled to match the brand, tied to scroll where that earns its place. Worth it when the product is physical and a photograph cannot show it turning.
Talk about 3DLaunch films, product promos and social reels, scripted, storyboarded and cut to the music, in your brand’s own type and colours. Every scene is signed off as a still before anything moves.
A launch film for a memory layer for AI agents, told through the demo on their own homepage. One sentence about Alice goes in. Weeks later, an agent asks who leads engineering and gets Alice back first, scored 0.97. The screen stays split into four the whole way through: four fresh chats, four silos of context, four search signals.
crosmos.dev(opens in a new tab)I make the design, the code and the film, so all three share one type system, one palette and one idea of what the brand is.
Every layout is drawn for the business it belongs to. If you can name the theme it came from, I have not done the job.
I ask how you quote, what you actually charge for and who is buying, then build the page around those answers rather than around a stock structure.
Design, code, motion, content and hosting. One person carries all of it, so nothing gets dropped in a handover between three of them.
Same-day replies, honest timelines, and a live link you can watch change while the build is happening.
Most projects run start to finish inside a week. Nothing here is a discovery phase you pay for twice.
One conversation to settle what the site or film has to do, who it is talking to and what it must not look like. References, constraints and the conversion action get agreed here rather than argued about later. You leave with a fixed price, and 30% of it starts the build.
The layout gets designed in code, at real sizes, on a real screen. Type, spacing and animation are decided together, and you see the direction moving rather than as a flat picture of it.
The direction becomes the actual site: semantic markup, real copy, every state built (loading, empty, error, success) and tested all the way down to a 375px screen.
I deploy to Vercel or Netlify on your own domain, wire up analytics and hand over clean files. The remaining 70% is due at launch. Most sites need nothing after that; ones running animation, 3D, a database, live payments or weekly content changes carry a monthly retainer, quoted with the build, not after it.
Reviewers here chose to stay unnamed, so each one is described by the work rather than by a face I made up. The verifiable half of the picture is the index: every build, live, one click away.
I sent over a rough idea on a Tuesday and had a live, animated site by the Thursday. Every question I asked got answered the same day.
He rebuilt our old site from scratch rather than patching it, and the enquiry form finally works. That alone paid for the job.
What I noticed was that he asked what we actually charge for and how we quote, then built the page around that instead of around a template.
The product photography is the whole business, and he treated it that way. Pages load fast on a phone, which our last site never did.
No agency overhead and no account manager in the middle. I talked to the person writing the code, which made the whole thing quicker.
No pitch and no proposal deck. Just a straight answer on whether I’m the right person for it, usually the same day.
